The Cut-Throats (1969)

Captain Kohler recruits an outfit of five American soldiers besides himself (dubbed "The Cut-Throats,") to attack a German stronghold to capture battle plans... although his real motive is to steal a cache of jewels that is Nazi plunder. After the enemy soldiers are gunned down, the beautiful women in the compound treat The Dirty Half-Dozen to a stage show and, later, themselves.

This film is a little odd, mixing cowboy motifs with wwII era plot, but is an interesting film with all its plot twists, and of course, lovely ladies bearing it all for the camera. Uschi Digard's small but truly awesome role as the general's daughter makes this film well worth renting or buying on ebay just for her top-heavy erotica scene. Other than that, the action sequences and story are actually well done, however it's obvious this was shot in the states from seeing the monstrous steel towers suspending electrical cables over the valley bellow. Still, an interesting film to check out.

Salo, or the 120 Days of Sodom (1975)

Set in the Nazi-controlled, northern Italian state of Salo in 1944, four dignitaries round up sixteen perfect specimens of youth and take them together with guards, servants and studs to a palace near Marzabotto. In addition, there are four middle-aged women: three of whom recount arousing stories whilst the fourth accompanies on the piano. The story is largely taken up with their recounting the stories of Dante and De Sade: the Circle of Manias, the Circle of Shit and the Circle of Blood. Following this, the youths are executed whilst each libertine takes his turn as voyeur.

Despite being almost 40 years old, Salo is probably the most cruel and repulsive film ever made, not just here in Italy but in the whole world. It depicts the worse atrocities inflicted to humans by humans. The true dark side of human nature: When evil is born out of simple boredom, when it comes naturally. It is a necessary evil if you can endure it.

Love Camp 7 (1969)

Set in a Nazi "Love Camp" that services the needs of front line officers. The video packaging claims that this film is based on fact, but the plot is so far fetched you would have a hard time believing that. Two young WAC officers go undercover as POW's in the prison camp hoping to get some information from a scientist that's being held there, before being sprung out by the French resistance. Unfortunately things go wrong with the break out and they end up overstaying their welcome and being subjected to the same indignities as the other inmates.

For those who prefer movies that degrade women and have an overflow of rape, nudity and violence, then this movie is for you! Maria Lease plays one of 2 women who are taken captive by the Nazis. She is one of the many women that are used to "amuse" the high commanders of the Nazi Military. The buxom Lease is stripped, hung, slapped and all other forms of sexual mayhem that come with being a pretty captive of the Nazis. An enjoyable film.

The Beast In Heat (1977)

This is one of many so called Video Nasties about fictionalized World War 2 Nazi POW camp atrocities. A beautiful, nefarious senior female SS officer/doctor (Magall) creates a genetic, mutant human Beast (half man/half beast). The Beast is a rapacious, squat, mongoloid sex fiend which she uses to torture and molest female prisoners while the Nazis watch. The vertically challenged beast is kept on a diet of mega-aphrodisiacs. There is plenty of sadistic titillations, gore and nudity in this Nazi sub-genre exploitation flick.

Luigi Batzella's "Beast in Heat" is a hyper sleazy and hyper hilarious and just plain sick nazi exploitation turkey that beats every other film of the questionable genre. The film rips so many other films and documentaries off it makes you laugh alone. There are many scenes of some war documentaries that have extremely bad picture quality. The same thing is with Bruno Mattei's "Hell of the Living Dead" that rips also everything possible off, including the Goblin score from "Contamination" and "Dawn of the Dead". "Beast in Heat" is also very graphic with its violence, mainly towards naked females that get abused and sexually violated as we can expect. Plenty of nudity and pubic hair ripped off and then eaten by the monster and so on. The film doesn't even have a credits in its beginning; I've heard that every member of the crew, including the director, wanted to take their names off from this film. Overall, "Beast in Heat" is surely wild,so fans of Italian exploitation won't be disappointed.

Nazi Love Camp 27 (1977)

A Jewish girl and an Aryan, both German, are in love in pre-war times. WW2 breaks up, he is sent to fight for the Nazi flag and she is arrested and sent to serve as a prostitute in camp 27 where disobedience is punishable only by death! She decides to give her body in order to survive hoping that one day she may tell the world what she have seen.

The Red Nights of the Gestapo (1977)

An illustrious group of German industrialists plot to overthrow Hitler by negotiating a peace treaty with England. Disgraced, but dedicated Nazi officer Colonel Werner von Uhland is assigned by his superiors to ferret out these deceitful dissidents and stop them before it's too late. von Uhland recruits a bunch of beautiful women to seduce these traitors and undermine their conspiracy.

Unlike the typical example from the short-lived but oddly prolific Nazisploitation subgenre, THE RED NIGHTS OF THE GESTAPO does not deal with the dehumanizing activities in Nazi concentration camps but rather with all the salacious perversions that a group of renegade anti-Nazi Germans get down to when they are holed up in a castle one night under the supposed pretext of plotting Hitler's downfall. What is even more surprising is that the plot is not only based on a book by one of the supporting characters but is ostensibly driven by actual historical events like Rudolph Hess' defection to Britain in early 1941 seeking to sign a Peace Treaty, the proliferation of anti-Hitler sentiments among key figures in the German bourgeoisie which came to a head in the unsuccessful "Night of the Long Knives" assassination attempt on Hitler's life, Hitler's march on Russia in mid-1941, etc.

The Gestapo blackmail Hess' right-hand man (after bugging his apartment and threatening him with the kidnapping of his son) into organizing a party which would gather together the leading figures of the uprising. But, for most of the film's running time, the Gestapo's intentions seem not to find out how the latter plan to overthrow the Nazi regime but rather to prove that even these would-be saviours of the Fatherland have their sordid weaknesses: aided by a handful of truly loose women, the meeting degenerates into one sleaze marathon which ends with the unceremonious gunning down of all concerned by SS troops. As can be expected, there is a sheer barrage of nudity on display exacerbated with the pre-requisite traits of lesbianism, paedophilia, sado-masochism, etc. Unfortunately, there are none of the familiar Euro-Cult faces or even a rousing score which would make all this palatable; what we have instead are an abysmal SS anthem, "Lullaby for Monsters"(!!), whose lyrics have to be understood to be disbelieved, stiff acting (pardon the pun) including a female Hitler impersonation and a hilariously defiant farting gesture from one silver-haired stud of an aristocrat!