Satan's Bed (1965)

This brutal drug drama (actually two films edited together) features Yoko Ono as the fiancee of a drug pusher who wants to go straight. His supplier kidnaps Ono in order to keep him selling dope, while in an unrelated story three black-clad addicts terrorize women.

This amazing time-capsule is a must-see primer for psychotronic movie fans. Like many other 60s grindhouse efforts, it outrageously combines more serious footage from an unreleased pic with unrelated and mismatching exploitation fare. In this case, the exploitation is provided by the incomparable Findlays (of "Flesh" trilogy fame), whose shadowy lit rape-fantasy shenanigans provide a stunning example of the "roughie" genre, mixed precariously with j.d. and lesbian-leather elements. Add to this the bizarre celebrity angle (a young Yoko Ono, threatening to, but thankfully never appearing in the nude), the lack-of-live sound and filmed-in-someone's backyard technique common to such features, and you have an absolute compendium of 60s sleaze stylings. The naked-girl-tied-to-a-pool-table opening itself is worth the price of the video, not to mention the half-naked girls hiding in trees.

Anita: Swedish Nymphet (1973)

Cult star Christina Lindberg of Thriller: A Cruel Picture fame stars as Anita, a 16-year-old girl who has to have sex and it doesn't matter with who. She picks up lawyers, junkies, little boys, drunks or even the homeless. Her sexual behavior gets her kicked out of towns but one day she meets a doctor who thinks he can help her. This Swedish picture is rather strange because it's certainly a sexploitation title and the main goal is for the beautiful Lindberg to get naked every chance she gets but the overall tone of the movie is so serious that it's hard to have fun with the film.

A Woman Called Sada Abe (1975)

Based upon a true story (which is more common through Nagisa Oshimas "In the Realm of Senses"), this well filmed, well acted Japanese movie is as much a contribution to the infamous "pink film" genre, as it is a fascinating tale of the wild and weird ways that sexual obsession leads to. Kaio, as Abe Sada called herself, and her boss Kishi are drawn into an amorous affair and totally forget about the outside world. They stay in a hotel room and day-in, day-out they spent their time with erotic games, exploring all aspects of physical love and gradually going further and further, until... It's not really sado-masochism of the western type, it looks more like erotic rituals, yet for the unprepared viewer some scenes may be quite harsh. This one's neither moralistic nor stuff to turn on voyeurs. The obsession is physically visible, but no doubt is left that the real obsession takes place in the minds of the protagonists. A forgotten gem, interesting, provocative and highly recommendable.

Supervixens (1975)

Clint Ramsey has to leave his job working at Martin Bormann's gas station and flee after his wife is murdered by psycho cop Harry Sledge, who tries to pin the murder on Clint. Crossing America, Clint gets sexually harassed on all sides by various voluptuous nymphomaniacs, and it all ends in a literally explosive climax.

The movie follows the hilarious odyssey of a nice young fellow, on the run for one man and an army of very very voluptuous bigbreasted women. The production and the visualization is low budget, but very effective and moody, the humor is really incredibly weird (especially the Nazi-jokes are very sick) and the violence is convincingly sadistic. One of the most exciting films ever made and absolutely Meyer's masterpiece. Nice, nice, nice!

Downtown (1975)

In Puerto Rico, a down-on-his-luck private detective is hired by a woman to take compromising photos of her husband, a notorioous nightclub owner. After he finishes the job, he finds himself hauled in by the police, who inform him that the nightclub owner has been murdered--and that he is the prime suspect.

This film with Jesús Franco himself in the main role as a sleazy hitman is a slow but sensual experience. The music in the film feels like a summer's breeze: the oh-so-relaxing kind of jazz soundtrack Jess Franco is famous for. Then there are the beautiful women: Lina Romay and Martine Stedil are a bisexual killer couple. The many arousing erotic scenes show extreme close-ups of their private parts. These scenes are very much 'pornographic' yet the nudity in this film is so peaceful, not as in Hollywood film where they always make a too big point out of a nude scene: Here women go to bath without wrapping themselves in big towels. They sleep naked when it's hot, and they don't hide behind anything when they wake and stand up. Lina Romay in particular plays a very hot and sexy femme-fatale. The character played by Franco is like a comic character. He's small, looks funny, thinks he's smart but makes a mess out of everything. The entire film is covered in a very seventies decor. The colors, the people, the designs. A fine film for lovers of sexy seventies cinema and a must-see for Franco fans.
http://www.imdb.com/title/tt0072904/